Ashland University’s Coburn Gallery is hosting two exhibitions in late November; AU Senior Art Exhibition and ceramic works by Cleveland artists Stephanie Craig and Todd Leech, from Nov 30 to Dec, 17, 2017. The Senior Art Exhibition includes graduating art majors Danielle Smith+Anamarie Coors and highlights graphic design, digital art, web design and animation. An opening reception was held on Thursday, November 30, from 4:30 to 6:30 p.m.
Tuesday, November 21, 2017
Friday, October 27, 2017
Thanks to all of the Coburn Gallery patrons that attended our Strength through Connection opening reception last night. Stop by the Coburn and help build the Community Conversation sculpture.
Open M-F 10am-5pm & Sat/Sun noon-4pm.
Tuesday, October 24, 2017
The Ashland University Coburn Gallery will be hosting an exhibition titled “Strength through Connection” featuring a selection of works by animation artist Tracy Miller-Robbins and graphic designer Jonathan Frey as they address building a better understanding of our diverse community through race, class and religion. The exhibition will run from Oct. 26 to Nov. 17.
In conjunction with this exhibit, the gallery will host “Thy Neighbor,” an international mail art show that focuses on the connection through our neighbors and encourages more active engagement within our communities.
Both exhibitions are co-sponsored by the Coburn Gallery, the Department of Art & Design and the College of Arts and Sciences Symposium “Against Indifference.” An opening reception, which is free and open to the public, is planned for Thursday, Oct. 26, from 4:30 to 6:30 p.m.
Exhibiting artist Miller-Robbins creates animated drawings about interpersonal experiences. Influenced by Ben Shahn and Caroline Leaf, her works strive to capture this essence through both gestural marks and figurative gesture. The expression and limited palettes of her work results in pointed thematic motifs that are embedded in seemingly abstract forms. The works, which merge the practices of sketching and animation, have been nationally and internationally presented in festivals and galleries.
Frey is an artist and designer who currently resides in central Pennsylvania. His work broadly explores the influence of ideology on contemporary culture. By evaluating the significance of the grid within in the context of architecture and game structures, Frey is able to consider issues of connection and disconnection that occur within local and global communities. He also explores the potential of graphic design to be used as a medium for public awareness and social critic.
For more about the “Strength through Connection” exhibition or events at the Coburn Gallery, visit www.ashland.edu/coburngallery or find us on Facebook. The Coburn Gallery is open from 10 a.m. to 5 p.m. Monday through Friday and 12 noon to 4 p.m. Saturday/Sunday.
Thursday, August 24, 2017
The Ashland University Coburn Art Gallery and the Department of Art and Design proudly announce the opening of Obsolescence, a group exhibition of new works which examine the idea of extinction, on view from August 31- October 15, 2017. The exhibition was curated by the Coburn’s director Cynthia Petry and includes the following artists: Mike Richison, Judith Brandon, Robyn Moore and Adrian Hatfield.
Richison is a professor at Monmouth University in New Jersey, where he teaches Motion Graphics, History of Graphic Design, and Typography. Much of Richison’s work deals with manufacturing, consumerism, evolution, appropriation, and obsolescence. Amidst the detritus that is continuously thrown away, he searches for connections and relationships between materials and concepts while utilizing 3D printing technologies.
Judith Brandon attended the Cleveland Institute of Art where she earned a BFA in enameling and drawing. Brandon has been awarded numerous Best in Shows across the country for her large dynamic drawings as well as an Ohio Arts Council Grant and several solo exhibitions. Brandon’s work has currently been accepted into the National Weather Biennale in Norman Oklahoma and Drawing Discourse and international juried show at the University of North Carolina, Asheville.
Nature makes Brandon expand with wonder and shrink with trepidation at the possibility of being devoured by it. To be an artist on this planet, with so many losses and so many discoveries and Brandon addresses this juxtaposition through her paintings and drawings.
Robyn Moore is an Assistant Professor of Photography at Morehead State University in Morehead, KY. Moore has had her work exhibited widely, including at the South Australian Museum (Adelaide, SA, Australia) and the National Archives of Australia; Sydney College of the Arts in Sydney, Australia; the Texas Photographic Society in Johnson City TX; the Lauren Rogers Museum of Art in Laurel MS; the Meridian Museum of Art in Meridian MS; the Danforth Museum of Art in Framingham MA; Harvard University’s ‘Composer in Red Sneakers’ collaborative project series; the Cambridge Art Association in Cambridge MA; the San Francisco International Film Festival; the Ann Arbor International Film Festival; and the Museum of Fine Arts, Boston.
Moore’s Present, Near, and Deep is a series of photographic artworks that focuses the investigation of biological remains and traces, such as fossils, bones, and preserved scientific specimens, through the creation of images made with hand-coatedliquid silver gelatin photographic emulsion.
Adrian Hatfield is an Assistant Professor of Painting at Wayne State University. Hatfield has been showing his work both nationally and internationally with solo and two-person exhibitions which include Altered States at Jack the Pelican Presents in Brooklyn, NY, Recent Work at ARC Gallery in Chicago, IL and Suitable Illusions at the Northern Arizona University Art Museum. Recently, Adrian was invited to take part in the NES Artist Residency in Skagastrond, Iceland.
Hatfield’s work consists of paintings and collages that sample and recombine art historical imagery, specifically from the industrial revolution and Romantic era, as well as scientific imagery to reflect on current and imminent environmental concerns. As he explores this dualistic theme through the remodeling of art-historical and scientific imagery, the resultant pieces are mournful, unnerving, and yet oddly hopeful.
An opening reception is planned for Thursday, August 31; from 4:30 to 6:30 p.m. The gallery is open from 10 a.m. to 5 p.m. Monday through Friday and 12 noon to 4p.m. on Saturday and Sunday and is free and open to the public. For more information about the reception or exhibition, call 419.289.5652 or visit us on
Wednesday, August 16, 2017
Thank you to all of the artists and guests who stopped by the Gallery today for the closing reception for the 2017 Time Will Tell Exhibition!